Allston Pudding - WIDOWSPEAK & 2:54

review - WIDOWSPEAK & 2:54 (T.T. THE BEAR'S 6/13)

It was ladies' night at T.T. the Bear's last Wednesday as two female-led bands rounded out the bill. Widowspeak, a Brooklyn based dreamy, pop quartet originally from Washington kicked the evening off right with their meandering, ethereal tracks anchored by snapping, resolute drums. Vocalist/guitarist Molly Hamilton's velvety, lush vocals lent each track an intimacy and meditative quality - at times, she seemed to be in a daze herself. Live, they reminded me of folky 60's Brits The Pentangle, whose music was also heavily defined by airy vocals and skilled guitarwork (I'm sure Hamilton's sort of flower-child appearance didn't hurt the comparison). Unfortunately, most of Thomas' guitar was inaudible during the show, leading to a muddling of songs that was more static than seamless. Those sound problems paired with way too basic, standard bass lines were disappointing because Widowspeak's recorded tracks are stand-out pieces. The performance was lackluster that night, but I'm more than willing to give them a second chance if they swing by Boston again.

2:54, a London based four-piece featuring two sisters was soon plugged in and ready to go. They channel the dark, brooding days of 90's shoegaze, and their sound is dominating, dangerous and sexy - but it got old fast. There's no denying each musician is talented at their respective instrument, and I'm sure some people will go crazy for their unique sound featuring machine-gun drums, spacey guitar and powerful female vocals. However, it seemed like they rehashed the same tricks in every song and it wasn't the kind of gripping performance you don't want to end. Admittedly, Colette Thurlow makes a great frontwoman, reminiscent of a seductive international spy with her strange movements and low, strong voice. Her sister, Hannah, impressed me mostly as they wrapped up the set with an unabashed rock-out that was just what I needed during their well-played but not full-blown captivating set. That said, my interest was piqued and I bet their recordings are easier to get through than the live performance - then again, their sound just might not be for these ears. Regardless, they deserve a listen from anyone who's into shoegaze, ladysingers or a good 90's throwback.

-Siobhan Robinson

Photo Credit: Sean Tracy