REVIEW: Lapsley at the Sinclair (5/5)
Electro-brit-pop music maker Lapsley rolled thru Cambridge this month and reminded us what being 19 years old feels like.
REVIEW: Yeasayer Keep It Weird (Paradise 5/13)
Behind their new record Amen and Goodbye, Yeasayer brought their unique brand of silly progressive art-rock to the Paradise this past Friday.
PHOTO REVIEW: Ought, Priests and Ursula at The Sinclair (5/4)
Check out these photos of post-punk at its finest.
Hold Me Mom, Never Let Go: Mothers, Palm & Vundabar at Great Scott (4/30)
If you missed Mothers, Palm and Vundabar this weekend, we’re sorry.
REVIEW: White Denim & Sam Cohen (Sinclair 4/22)
With a little help from friend Sam Cohen, White Denim delivered a powerhouse performance on Friday at the Sinclair.
Photo Review: Iggy Pop Storms the Orpheum
Last week, Iggy Pop burst onto the stage of the Orpheum to perform his latest Josh Homme produced album, Post Pop Depression, and a collection of his solo classics in front of a completely packed house.
REVIEW: Porches, Alex G, and Your Friend at Mid East Down (4/12)
Although living up to national hype can be a death knell for a bedroom-recording songwriter, both Porches and Alex G turned out their most notably confident sets on Tuesday.
REVIEW: Andrew Bird (Citi Wang 4/9)
Andrew Bird played the Citi Wang this past weekend in support of his new record Are You Serious.
REVIEW: Tobacco / Lord Raja at BMH (3/31)
Tobacco heralded the return of both his solo career and BMSR’s with a large dose of new material, inexplicable hype men, and surreal imagery.
REVIEW: Wolf Alice and Slaves @ BMH 4/3/16
By Deanna Archetto Their show at the Middle East last year felt like the last time we’d see Wolf Alice at a venue that small, but Fenway Recordings managed to recreate that intimate feeling at Brighton Music Hall last night without skimping on the energy. Since 2004, Fenway Recordings has brought international acts to intimate venues […]