Crooked Coast on Balancing Life, Love & Little Ones

Photo courtesy of Crooked Coast

Cruising back onto the scene, Cape Cod’s own Crooked Coast returns with their new single “One Hundred,” a brash & sentimental summer jam about sticking by your loved ones through thick and thin. This is something the members of Crooked Coast understand all too well, having built up families of their own while maintaining careers as touring musicians. We spoke with band members Luke James Voss and John McNamara about inspirations, balancing personal lives and getting the juices going into the rest of 2024.

Allston Pudding: This is your first single since 2022, correct? How have the waters treated you for the last two years? 

Luke James Voss: Really well. We did a fair amount of touring all over the east coast, down south and the midwest. All while promoting the last album. Then, we really took our time with this new [album]. Some of the songs we started working on right after the last one was done. We worked with a couple different producers. Produced some of it ourselves. Spent a lot of time writing and wrote about three or four times as many songs that actually ended up on the album. Every time we do a project, we want to step it up. Make something we are really proud of.

AP: Can you talk about the intro to the song? I know it’s remixed audio of a group of singers in a shopping mall, but when exactly did you know this was going to be part of the song?

Luke: It was on Instagram. An account called @Dusttodigital, it’s my favorite. It’s just regular people from around the world just playing [music] and I saw these guys singing and was fascinated. Immediately sampled it and made a little loop of it. Then we sat with the band and figured it out. I wrote some lyrics almost right away, I was obsessed. John made this great hook. We sketched it out and made a whole song out of it.

Photo courtesy of Crooked Coast

John McNamara: The general theme of the song got fleshed out a little later, but we were like this is a cool sample, we gotta write something to this.

AP: When was this song written compared to the rest of the upcoming album? 

Luke: Fairly early, maybe the third or fourth one we had written. We should take better notes when we’re in the studio.

John: It was one of the first ones. We had a bunch of others we kind of sent back to the drawing board, but this one stuck around through all the edits. Definitely showed promise, for sure.

Luke: Thankfully we have so many demos that if we do ever die in some untimely plane crash, and there’s any interest, then people will be able to dig things out and-

John: Don’t manifest this, you’re manifesting it, that’s not… *sighs*

Luke: That’ll be our big break!

AP: It’s good to know fans have that material on reserve. No one has to worry about being rid of you guys no matter what.

Luke: You can’t get rid of us!

AP: This song is about support systems and always being there for your partner through thick and thin: what advice do you have for other partnerships working through things like recording and rehearsing an album or going out on tour? How do you stay grounded?

John: When I talk to other bands, other people are like “you guys are all married and have kids?!” I mean I can’t believe it sometimes too. You have to work twice as hard. You have to be flexible.

Luke: We spend so much time rehearsing, playing shows and on the road that when we are home, we have to go above and beyond. I’m just gonna do the best that I can. All you can really do.

John: A band is basically like another girlfriend, you gotta put in the time for both.

Luke: I don’t know if it’s advice, but just giving people the benefit of the doubt. Whether it’s creative partners or romantic. In a band, obviously there’s disagreements over direction, but just try and take a breath and understand that the other person has the same intentions that you do. To make something that everyone is proud of. I trust this person, they’re my creative and/or life partners. You have to keep that in mind when things get hairy.

AP: Was there a point when it didn’t feel realistic or possible anymore? How do you work through that?

John: COVID definitely hurt, but we don’t really have to talk about that. I don’t really feel that way though. We watched all of us get married and we’ve all been in it since the beginning. I think our families are all very supportive of us to follow this dream into becoming a reality. We’re lucky that we’re all on the same page with that.

Luke: That’s all true. I feel like I’ve definitely had moments of doubt and moments where you get where you thought you wanted to go, but there’s a mountain past the other mountain. The closer you get, sometimes the further it feels. I just try to remember that at the end of the day, all we can do is make what we think is great music and put on a great show. So much after that is out of our control. If we can live lives where we are not completely destitute, then we can look back and say we made something that we’re proud of and really love.

AP: How have your significant others & families affected your musical processes? Have they influenced you or perhaps been featured on tracks?

John: That would be hilarious. Obviously you have to write for your family a lot, and now we all have kids and there’s songs for them too. I think my wife would probably kill me if I wanted her to sing on an album.

Luke: Obviously we draw from our lives and it’s a totally different life now. I feel like it’s let us all know how important music is. It’s woven into every part of our lives. My kids listen to our music, and my oldest daughter is starting to play piano. It’s like the air we breathe.

AP: If you had to choose a song that reflects your partner, what would it be?

Luke: Oh, what’s that Buckcherry song? “Crazy Bitch”? No, I’m kidding [both laugh]. That’s a tough one… wanna take a stab at it Johnny?

John: Maybe not a song specifically, but my wife and I are huge Kings of Leon fans. A couple of those albums we would just listen to over and over. They’ve influenced us as a band as well.

Luke: “I Wanna Dance with Somebody” by Whitney Houston, that song is special for me and my wife.

AP: What’s on the horizon for you guys? What does the next year look like? 

Luke: The album is basically done, just getting it mixed and mastered. We’ll probably release a couple singles over the next few months. Get the juices going. This album is more rock than some of our past reggae vibes and this summer we’re heading to New York, we’ll be playing Strange Creek and then headlining our own Coast Fest again.

AP: Was moving away from reggae into more of a Rock sound a conscious choice? Or just something that happened? 

Luke: It’s just what we’re writing. We never set out to make a certain kind of song, it was just the nature of writing. Shaqed, who joined the band almost five years ago, definitely brought more of a pop-punk energy, musically. We just do what feels right and this is where our feelings were.

AP: You guys aren’t opposed to performing in different venues, such as the harbor shows you once performed: in that spirit, where – if anywhere – would you perform if you could? 

John: Red Rocks is always the one.

Luke: I’d love to do one of those iconic Beatles roof-top performances. Down near the Citgo sign in Boston. Pick some iconic venue, go on the roof and just play until the cops shut it down.

For more information regarding new music and upcoming tour dates, follow Crooked Coast on Facebook, Instagram, Twitter and check out their website here

Waxahatchee Glitters at the Orpheum

steph larsen waxahatchee

Waxahatchee came to Boston and packed the Orpheum Theater supported by Good Morning April 26, 2024. Their new record – Tigers Blood – dropped in March 2024. It has the twang we know and love, with a fullness and wholeness that completely grounds you into the music and keeps you hung on every song. There was a wonderfully diverse audience that warmly cheered, danced, and belted the entire set through the four song encore. Australian band Good Morning opened the show with a full band. Their synth-y, dreamy, indie-rock pop tunes filled the room with pure magic. It was the best show I have been at the Orpheum! 

Check out all of Steph’s photos from the show below. 

Waxahatchee and Good Morning at the Orpheum 04/26/24

The Grass Is Greener With Taylor Acorn At Brighton Music Hall

greg wong taylor acorn

On Saturday 4/20, Brighton Music Hall hosted the one-two punch of World’s First Cinema and Taylor Acorn. The sold-out Boston stop was one of just a few east coast gigs on Taylor Acorn’s headlining Australia/US Good Enough Tour.

World’s First Cinema, joining the tour for the entire US run of shows, started strong and never let up. With a flourish of violin and swaggering use of the stage space, the band delivered on the promise of a certain theatricality suggested by their name. With the audience primed, Taylor Acorn followed through with her own set to match. Early into her performance she admitted to dealing with some health issues, but she battled through and delivered an impressively unrestrained showing with enthusiastic support from the crowd. She delighted at the sold-out venue, recalling her time opening a 4-band billing there merely 2 years prior. Taylor Acorn’s Boston fan base seems bound to continue growing, as she and her band will return in the fall in support of Dashboard Confessional.

Check out all of Greg’s photos from the show below. 

Taylor Acorn and World's First Cinema at Brighton Music Hall 04/20/2024 

 

The Future Teens Make it Feel Good to Feel Bad

future teens wendy schiller

What could be more quintessentially Boston than a sold out elder emo gig on a Friday night! Great Big Pile of Leaves swayed through the entirety of “Have you seen my prefrontal cortex?” supported by hometown heroes Dutch Tulips and Future Teens. The Teens debuted new, vulnerable music to a crowd endlessly hungry for their honest, earnest jams. They cracked jokes and played old favorites spanning their catalog, including “Frequent Crier” and “Guest Room”. We would be remiss not to mention frontman Daniel Radin’s shoutout of Editor-In-Chief Christine Varriale ahead of playing “What’s my Sign Again?”.

Check out all of Wendy’s photos from the show below. 

Future Teens, Dutch Tulips, and A Great Big Pile of Leaves at the Sinclair 04/19/24

 

Dreaming in Technicolor with the Allah-Las

allah-las wendy schiller

A packed Crystal Ballroom welcomed LA darlings the Allah-Las on their Spring US and Canada Tour. The room was amped for their groovy vibes, with support from openers Maston and Sam Blasucci, who brought their own sonic dose of sunshine. The fashion was peak; with band members wearing flashy heels and ditzy sunglasses indoors. It’s fabulous to see such a revival of 1960s jam energy; tantamount to drinking Sunny D in a vinyl store.

Check out all of Wendy’s photos below. 

Allah-Las, Maston, and Sam Blasucci at Crystal Ballroom 04/18/24

Real Estate Bring Their Mellow Rock to Royale

 
real estate steph larsen

Real Estate’s Infinite Jangle Tour came to Boston at Royale supported by Marina Allen. Their new record Daniel dropped February of this year. The tour started March 1, and will span across 8 countries through the fall. Their set was a beautiful mix of favorites and new tunes. The crowd grooved along with the band and joyously danced and echoed back their catchy and classic choruses in unison like a group of best friends. Marina Allen and her band played a captivating and dreamy set to open the show. 

Check out all of Steph’s photos from the show below.

Real Estate and Marina Allen at Royale 04/17/24 

 

Destroyer’s Sublimation Hour

destroyer wendy schiller

Canadian powerhouse Dan Bejar brought the Saturday night vibe down to a heartbeat at Brighton Music Hall this weekend. Supported by David Carswell and openers Lightning Dust, the crowd swayed to mellow and hooky interludes from a vast assortment of albums. To witness Dan’s solo work is to be welcomed into a space between the edges of time. The world drifts into a watercolor of slow-moving parts. Folks melted into “A Painter in your Pocket” and “Don’t become the thing that you hated”, only to be released back into a buzzing city after their pause for breath.

Check out all of Wendy’s photos from the show below!

Destroyer and Lightning Dust at Brighton Music Hall 04/06/24 

Boston’s Going to Be Lit at City Winery’s Poetry Vs. Hip-Hop Live Show on April 17th

poetry vs. hip-hop city winery

Graphic by DZ Media

Boston is not ready for City Winery’s “Poetry vs. Hip-Hop” live show happening on April 17th, hosted by Queen Sheba and Jamellow.

Queen Sheba, the founder of Poetry vs. Hip-Hop,is not only a Grammy-nominated spoken word artist, but also an author. Jamellow even interviewed her through his channel MellowVzn about the series of poetry vs hip-hop events.

Headlining the show, we have Amanda Shea, Najee Janey, and Corey Manning. Then we have the two teams of poets versus hip-hop artists (let the games begin). Currently the team names are “Team Poetry” and “Team Hip-Hop,” but there were talks of each team coming up with their own team name. 

Some options were ‘The Lyrical Miracles’ and ‘The Original Lyricists’, so stay tuned. “Team Poetry” includes D Ruff, Anita D, and Cloudy, and “Team Hip-Hop” has Brandie Blaze, Kng Dvd, and Milkshaw Benedict

“All the people who are part of this amazing event are multidimensional and no one does one thing,” states Amanada Shea matter-of-factly. Brandie Blaze is also an actress and composer. D Ruff is a teaching artist, creative director, and author of a book. Anita D is a slam poet, a mother, and a spoken word artist. Najee Janey is a producer, entrepreneur, and educator. Amanda Shea is an artivist, educator, and poet. And that’s not even half of what they’ve done.

Both poetry and hip-hop among other art forms are ways for artists to convey their experiences, empower themselves, and build communities.  D Ruff says it best: “Poetry and hip-hop are writing with no rules. You’re writing for yourself. You decide the structure, the form, whether it rhymes. No one can tell you otherwise; it is the first form of freedom you should ever have and can ever own, and no one should be able to take it away from you.” 

 Najee Janey continues this thread, explaining hip-hop’s roots and importance in Black culture. “Hip-hop has always been a transformative art form, especially for the melanated community. It was our way of expressing messages to protect ourselves and to further expose the harsh realities of racism. It was our way of putting ourselves back in power and the world needs to know that hip-hop is here to stay and it can change the world. Hip-hop is the shit, we’re the shit.” 

Fun fact: many hip-hop artists started off as poets, including Brandie Blaze and Najee Janey. Amanda Shea even referred to hip-hop artists as the lost poets. Though Brandie started with poetry, she feels hip-hop and poetry call for different skill sets. “Hip-hop is more constrained than poetry because you have to focus on much more than the words and the delivery — everything has to meld together in a different way that’s more constraining.” On the other hand, Najee Janey says he sees rap as poetry with rhythm, and though spoken word and poetry pieces often have snapping, he sees poetry as raps without a beat. D Ruff took more of a practical POV and says that you’ve already decided before you write if your piece is going to lean more towards hip-hop or poetry. But, Anita D bridged the gap between hip-hop and poetry with her statement that “At the core of both art forms, the best poets and hip-hop artists are storytelling.” 

Since these artists have been performing for 10+ years, they’ve seen the changes and growth in the hip-hop and poetry scene. There was an overall agreement that though they are better now,  the pandemic impacted the number of spaces where artists could perform. At the same time, the growth of platforms like Button and TikTok have helped in terms of access and reach. “Hip-hop is at its best right now — the quality and quantity of artists is getting better,” reflects Najee Janey. “The youth are insanely good. They’re about to kill it, but as a community we need more spaces for them to feel safe in,” says Anita D, emphasizing the importance of accessibility within poetry and performances. 

The growth of younger poetry and rappers has especially been aided by the educators who empower youth in a variety of ways, including youth organizations, open mics, and workshops. 

Amanda Shea brought up an important point: “We need to acknowledge that many artists (especially on this bill) are also educators who are teaching, leading, and coaching these kids. For young Black and Brown people, it’s important that they see examples of what they can do and become and see you on a platform.” She continued, “Poetry is coming back, so I think it’s really important we not only create space in Boston but also opportunities outside of Boston where other youth can co-collaborate with each other. Other youth need to see other youth being brave.”

In fact, all the artists talked about the importance of the youth when thinking about the future of the hip-hop and poetry realms. “The youth is on fucking fire and they’re going off in such a way that displays a level of bravery and confidence that I wish I had at their age,” said D Ruff after declaring that on the poetry side, the future looks GOOD. Kng Dvd on Team Hip-Hop is actually part of the younger generation, so it’s exciting to see that the youth are becoming a part of these spaces and are sharing their art in a more public way.

The content of poetry and hip-hop pieces is also changing in a way that will empower artists more.

Najee Janey says he could see storytelling taking on more progressive, uplifting, and empowering narratives and that the youth will create stories that break generational curses. Amanda Shea continued that she sees the future of the industry incorporating more power and bravery and wanting to tell your individual story as well as collective stories. “Not everyone is going to feel joy and free and liberated 24/7. We need to talk about the other emotions we experience as Black and Brown people and what causes those emotions, and that’s where we’re going;  people want to hear more about real-life experiences.” Brandie Blaze chimed in with a hip-hop perspective: “All of it is just as valid and just as revolutionary, and not everything has to be so heavy to be taken seriously. To think that Black joy is just as radical and the things that make us amazing and beautiful as Black people should be celebrated; not just our trauma and sadness.”

Since the future of hip-hop and poetry is so bright, the artists had some advice for the younger generation who are already in the hip-hop/poetry space or who are looking to make their debut, including the following:

“Keep fucking going!!! Keep not being afraid, continue to be brave, continue to be creative, continue to innovate. If you can feel it, you can speak it.” — D Ruff

“Self-love is key; focus on yourself and how you want to build your spirit and what makes you happy. Don’t hesitate to mess up. Keep creating. We’re all natural-born creators and we create every. single. day. Think outside the box; YOU are the box.” — Najee Janey

“Write to yourself and regardless of the path you take with this artistry, you gotta stay true to yourself. If ever, someone were to try to silence you, just scream louder.”  — Anita D

The artists expressed that creativity has no bounds and that, though they have some preferences in terms of their performance mediums, they are open and can venture into other art forms. Amanda Shea says it in the simplest way: “There are NO bounds, bro! Why not do everything?! There are preferred mediums — if you can do it, fuck it why not? If you can do both, do it all!” The other artists echoed this sentiment. “There are no limits to my creativity. My lyrics are very poetic — there’s no separation for me for the poetry to the music to the songwriting,” says Najee Janey. He is releasing a 7-track project next month and has a headlining show coming up, so you can experience his creativity in person. “I did a 16 once for a competition and that was my whole rap career,” shared Anita D. Brandie Blaze, who went on to say that she 100% prefers being a rapper, and that the constraints of rapping force more creativity out of her. D Ruff added that he wouldn’t jump to hip-hop per se, but he dabbles in it for the art and message of it.

Though hip-hop and poetry are two different art forms, the basis is the same: using words and experiences to express yourself. One thing we can do as supporters of both hip-hop and poetry is to listen to everyone’s stories and continue to advocate for safer and more spaces for artists to perform. Moreover, the younger generation is the future of this industry so let’s continue to empower them. 

Sharing your art in any way takes a lot of work, courage, and passion. So, come out to City Winery on April 17th @ 7:30 pm to celebrate and uplift these hip-hop artists and poets.

Glass Beach’s Safety Dance

 
wendy schiller glass beach
 
Glass Beach reached the midpoint of their 2024 cross-country tour to a sold out ballroom in Somerville, MA, supported by Arcadia Grey and Fleece Kawasaki. It was a true celebration of the group’s culty internet following, with the room erupting in a nearly constant singalong, whether a track was off the new 2024 album Plastic Death or their first. The crowd dressed for the occasion with aplomb and welcomed this Boston debut with open arms.
 
Check out all of Wendy’s photos from the show below. 
 

Glass Beach and Arcadia Grey at Crystal Ballroom

 

Wooll Wind Up On Debut Album

In a year that has already been brimming with great indie releases, space has to be made for newcomers Wooll. The Providence, RI natives are releasing their debut album Unwind today, and it’s chock full of pleasing indie earworms. The band consists of Corinne Roma on vocals and acoustic guitar, Tyler Rosenholm on electric guitar, Tyler Chauncey on bass and Derek Goulet on drums. The unit sounds tight and experienced far beyond their years. Part of this is due to the fact that Rosenholm, Chauncey and Goulet all played in former Boston stalwart Kid Mountain, a band that folded in 2020. They all stayed friends – thanks to a mutual love of ultimate frisbee – and roped Roma into the fold. Soon enough, they were jamming, and Unwind was born.

One thing that’s apparent almost immediately on Unwind is how the group shows remarkable patience, despite the album’s title. This is not a spunky, aggressive debut, like you may see from other upstart indie bands. Wooll wear their heart on their sleeves, giving nods to midtempo 10’s groups like Beach House, with a little bit of the Beths thrown in. While the band stops far short of shoegaze, the lessons are present. Opening track “Copy Of Acoustic” starts, fittingly, with just acoustic guitar. While it quickly develops into a full-band tune, the relaxed tone is set. The album’s first three tunes are all peacefully melodic and midtempo. “OK” and “Hollandaise” kick things into a higher gear, and “Measure Pressure” is a true ballad, but every track on this album stays within the same realm of tuneful, atmospheric indie.

Roma’s vocals are often the highlight amongst these songs. This is true on the opener and the follow-up “Bags Of Hal,” and even more so on the fantastic, plodding final track “Snoodgaze.” But what comes across so impressively is how well the band works as a team. Unwind does not feel like a debut album, like a band testing the waters. Instead, everything meshes well in one inherent identity. The album has two fun instrumentals, “Intersnood” and “Loom,” which give more of a focus on the band and allow them to be sprier and noodle around some. Rosenholm’s guitar work sounds excellent on “OK” and “Hollandaise.” Chauncey and Goulet get to really shine on “Measure Pressure,” creating a pulsating rhythm that hits like an ocean wave. Across all the other tracks, the band is tight and aligned remarkably well. The often dreamlike, shoegaze-lite melodies are both reserved and united.

Unwind can be streamed on Bandcamp and Spotify below. The album was recorded at Big Nice Studio in Lincoln, RI. The album cover art was designed by John Rego. Wooll can be found at two upcoming shows:

-5/18 at In Your Ear in Warren, RI, with AP favorite Alexander. Check the venue website for updated details soon!

-6/1 at Deep Cuts in Medford, MA, with Helenor and another AP favorite, Beeef. Get tickets here!